SHOWS
10/31 Empty Bottle (w/ 9th Annual Jukebox of the Dead with Aleks and the Drummer, The Hood Internet)  Chicago, IL
 
 


BIOGRAPHY

Formed at - and later expelled by - a fundamentalist bible school in 1996, Detholz! (pronounced 'Death Holes!') originally formed as a way for its members to vent anger and frustration with their evangelical upbringings and to make sense of their 'double lives,' which to this day straddle a fence between 'Religion' and 'Reality.'

Detholz! draws from a broad range of pop and avant garde music and personal histories defined by arcane religious subculture. The result is something that has consistently defied easy categorization and always produced the strongest of reactions, including accusations and threats of arrest for 'Satanic Worship', prayer circles at shows both for and against the band, and heated (sometimes physical) exchanges pitting fans vs. detractors (and sometimes fans vs. fans).

Laboring happily underground since its inception, Detholz! has toured extensively, sometimes using performances to stage elaborate spectacles, such as a Communist-Cadre/Lady-Liberty Tent Revival at the 2003 Cornerstone Christian Music festival (kicked-off with the North Korean national anthem ... sung in Korean). Following this particular performance, Detholz! were featured in the critically acclaimed documentary Why Should the Devil Have All the Good Music, which led to invitations to join Wilco on their Ghost is Born tour and later support Danielson Familie for their release of Ships. Detholz! has also been privileged to tour and play with bands such as Weird War, Radio 4, The French Kicks, Electric Six, The Blacks and Thunderbirds Are Now. Individually, members have written, recorded and toured with artists such as The Staples Singers, Bobby Conn, and Baby Teeth.

As the band has developed, its members have increasingly drawn inspiration from their conflicted pasts and ambivalent senses of spirituality. The musical results, soon to be revealed on their new aptly titled full-length Cast Out Devils, are far stranger, more experimental and more introspective than the ironic, documentary-style approach of earlier releases. "It has been a little more of us bringing out, dare I say, personal stuff and attempting sincerity in writing," says Karl Doerfer (guitar/vocals). "And we don't do sincerity very directly.”

Cast Out Devils is scheduled for release on Halloween (October 31st) 2006.

 

 

QUOTES

“Defiantly nerdy and spazzy.”
~The Onion

"(Detholz!'s) aggressively busy new-wave rock is full of original ideas, and I doubt they'll run out of new ones anytime soon. It's tempting to chalk up their weirdness to their Bible-school roots, but as far as I can tell that history only serves to make it more plausible when they detour into a screwed-up approximation of a revival meeting--their dorkalicious energy reads more like a combo of caffeine buzz and record-collector's high." ~Monica Kendrick, Chicago Reader

"The band's bizarre humor sets it apart from even the Midwest's most offbeat indie-rockers…Articulate irreverence set to a groove that would do Talking heads, Devo or David Bowie proud."
~ Louis R. Carlozo, Paste Magazine

"Filmmakers V. Hunter & H. Whinna check out the Christian rock scene [in Why Should the Devil Have All the Good Music] where nearly everyone listens to Led Zeppelin in secret, and the best performances come from such skeptical participants as Detholz! and Pedro the Lion."
~ Spin Magazine

"Detholz! sound like a very pissed-off Devo - with their amps turned all the way up -battling Mothra to the death.... Soundgarden meets Mars Attacks! with pounding guitars and haunting, charged vocals.”
~ Time Out New York

Review of "Jukebox of the Dead": " This quintet takes on the seemingly irredeemable - Phil Collins' "Sussudio," Kool & the Gang's "Celebration" - and reconstructs it into something alluringly strange. They don't just deconstruct Cher's "Believe," they make it better; like a hip-hop deejay massaging a break beat until the dance floor freaks, they hone in on a song's hidden secrets and turn them into hooks."
~ Greg Kot, Chicago Tribune, " Chicago's Top 10 Indie Releases of 2005

 
 
 
 

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